"Alexander Dodge's stage settings flow magically from factory to sanctuary, where Clyde worships with Sondra and family on Palm Sunday, joining in a dramatic anthem--with haunting harmonies and high orchestral accompaniment--beneath a huge crucifix and winning her mother's approval. Of particular note is the metamorphosis that creates Great Moose Lake, where Clyde takes Roberta for a boat ride and--by commission or omission--is complicit in her drowning. Omnipresent in the background are nearly 100 disembodied shirts, floating like spirits of the fading humanity of the era." - Syracuse.com